Tag: Gypsy Jazz

The art of transcribing – Part 6

As always, be sure to read parts 1, 2, 3, 4, and 5. I am now switching to a video format for some of these blogs. You can listen to it as if it were podcast, since the video isn’t too important in this one. In this video, I show you how I figure out music 100% by ear without any instrument or reference other than the music. This is an important aspect of ear training; it is essentially listening to music intelligently by engaging your mind. People often ask which solos they should transcribe. That’s not the right way to think about it. When it comes to developing one’s ear, one should generally go for what one likes. Since you and I may have different tastes, it wouldn’t be advisable for you to figure out […]

The art of transcribing – Part 5

As always, be sure to read parts 1, 2, 3, and 4. It’s been a while! In this one, a fellow submitted a transcription of Django Reinhardt for critique. By and large, it was a good job, but there were certain ornaments that were not correct but that are very typical of Gypsy musicians. In the Gypsy community, there are certain subtle techniques that they subconsciously do that many people outside their community miss or misinterpret. Some of them are revealed in this transcription. I often show a lot of these to my homestay students who want to work on sound and technique. What’s that you say? Homestay lessons? Want more info? Click here! One of the most important lessons to learn from Django Reinhardt is to understand how he thinks. He often thought in […]

Choosing the right guitar for Gypsy Jazz – Part 1

I get quite a lot of emails from people all over the world asking me for advice on which Gypsy Jazz guitars to buy. While it is true that Gypsy Jazz guitar construction is unique and quite different from what the majority of guitar luthiers are used to, I feel that some of the advice I would give would be the same for just about any kind of acoustic instrument. Unfortunately, the answer isn’t so simple. The good news is, nowadays, while still a niche market, Gypsy Jazz guitars are now mass-produced at very attractive prices. There are a few competing brands out there and, in my opinion, not only are they quite decent for the price, they have excellent resale value. I would almost always recommend buying one of these guitars to start out […]

Happy Birthday Django Reinhardt

Hello from Taipei, Taiwan! Today is Django Reinhardt’s 106th birthday! I was hoping to have the time to transcribe a lot of Django solos this week, but unfortunately, that didn’t happen. Nonetheless, I managed to wake up earlier today to transcribe one of my favorite Django solos from his rome sessions in 1949. The song is “It’s Only A Paper Moon” (you can download the transcription at the bottom of this post). Django Reinhardt. The man to whom I owe my entire career (OK, my family too). Truly one of the rare geniuses of 20th century. He called himself a jazz musician, but I think he was selling himself short (and he wasn’t exactly Mr. Humble); while he mainly used jazz to express himself musically, he was far more than just a jazz musician. He […]

Django Legacy – The birth of Gypsy Jazz

This article originally appeared on Djangobooks.com’s February 2015 blog. This version may differ in that it may have been updated since its original publication. Since the early 2000s, there has been a global surge in the popularity of Gypsy Jazz and the music of Django Reinhardt. Many articles have been written about it, and many myths have been perpetuated as to the origins of Gypsy Jazz. As of this date of January 23rd (Django’s birthday!), a quick Google search on the term “Gypsy Jazz” leads us to many pages (from Wikipedia, to the website of the Montreal International Jazz Festival, to various reputable international news organizations, etc.) with inaccurate information as to the history of Gypsy Jazz. In some instances, Klezmer bands are considered Gypsy Jazz! I must admit that I struggled a little bit with […]

Practicing, sincerity, awareness, and passion!

This article originally appeared on Djangobooks.com’s January 2015 blog. This version may differ in that it may have been updated since its original publication.   Greetings folks! Today, I would like to talk about two important, yet, often overlooked aspects of music: awareness and intent. These two terms are rather vague, indeed, but encompass many aspects of music, and I would like to focus on what I believe to be the most important ones. Many people contact me asking for advice on what they should be practicing; I strongly feel that understanding these issues will inevitably help you determine what you should be working on, as a musician. To start with, my reasons for generally appreciating an artist, are usually different than most people’s: to me, it is the very subtle, yet important details that I […]

Sinti culture, language, and the origin of the name “Django”

This article originally appeared on Djangobooks.com’s August 2014 blog. This version may differ in that it may have been updated since its original publication.   PREFACE Greetings dear readers. If you are reading this, then you are probably interested in the music of Django Reinhardt, or perhaps, interested in Romani culture. This article is about Sinti culture, Sinti language (Romanes), and the origin of the name Django. Before I begin, I would like to stress that this is, in no way, a scholarly article. This is strictly an account of my personal experiences. Furthermore, I am not a linguist nor do I consider myself a full-on expert on Gypsy culture; I can only talk about what I have personally observed over the years. Many scholarly articles/books have been written on this subject, and I will leave […]